Here's episode 3 of the Lola LaRue Variety Show, where Lola gets some visitors in her apartment/dressing room.
Monday, October 17, 2022
Tuesday, October 11, 2022
The Lola LaRue Variety Show Launches Today
Hello! If you've tried to call or text me this past year, chances are good you got a reply that I couldn't talk because I was in a production meeting. What, you wondered, was I producing? Well, wonder no more. I was producing the Lola LaRue Variety Show! It's a new series (6 episodes long so far) that my friends Diana Costa, Lola LaRue and I created for YouTube.
I first met Lola way back in maybe 2009? Hard to remember now exactly. She was doing some gigs down in Hollywood and I would go see her late-night weekend performances. I became an instant fan and forced some of my friends to go see her. They also became instant fans. I hope you will also become an instant fan.
The first two episodes of her show are available now. Here are the links:
Episode 1: https://youtu.be/gbducpDCKIA
Please like and subscribe to Lola's channel. She needs 100 subscribers to get her owl URL.
Saturday, August 20, 2022
Puzzle Pieces Always Falling into Place
If you read my blog regularly, you probably read my New Year's Resolution wrap up when I spent the year reading books…and hated it. A piece of the puzzle of me finally fell into place in the past year, thanks to comedian Richard Herring and RHLSTP (Richard Herring's Leicester Square Theatre Podcast).
You see, Richard has a cognitive condition - which might not
be the right way to describe it - called aphantasia. Part of his imagination is
broken. He has no mind's eye. Ask him to visualize a tree, and he can't. He
dreams and that all seems "normal," but daydreaming means something
different to him.
Back when I was in high school, I had a best
friend/boyfriend who was an artist. I would spend hours on the phone with him
and I remember one time talking to him about what, at the time, I called
"visual thoughts." I told him how scary it must be to have
"visual thoughts," because I didn't have them. I assumed only a few
people could actually visualize things. Lucky people who could then do things
like draw from memory. I wasn't one of them.
Turns out, thanks to Richard Herring letting me know that
not having visual thoughts put you in the minority and not the majority, I realized
that I fell into that minority. I wouldn't say I'm 100% unable to visualize
things, but from talking to people since learning about aphantasia, and reading
about it, I'm much closer to the no visualization end of the spectrum than the
other end, where people have the ability to hyper visualize things.
When I drift off to sleep, I can visualize things a little.
That's when I work on the plots of my stories, or think about things I love, or
daydream. The way I can sometimes imagine images when I'm awake I can best
describe as someone holding the picture just out of my field of vision. It's on
the side, in the periphery, or even behind me. I'm aware of it, but I can't
look directly at it.
I assumed when you were told to visualize something, or
picture something or whatever, that it wasn't a literal suggestion. That it
just meant "think about." If you ask me to visualize something, I don't.
Instead, I get my brain ready to access facts about that item. "Think of
an apple" would send me into the following thought process:
Apples are fruit. They can be basically green, red or
yellow. They can be sweet or sour. They can be eaten raw, or are often cooked
and added to pies. Seasoned with cinnamon. They can also be crushed to make
applesauce and juice. I like the way apple juice tastes and often order it on
planes. I have three apple trees in my yard. An apple a day keeps the doctor
away. Ok. I'm ready for a follow-up question.
It is all words in my mind. If I want to remember something,
I have to be able to recite it. When I learn tap routines, I memorize the
steps, saying them, and then do them. Until I can say the order of the steps, I
can't do them. When I learn music, I have to be able to say the chords or I get
hopelessly lost. Everything I look at is converted to text in my brain. What
does someone look like? I can only tell you the parts of their appearance that
I've taken the time to convert to words. If I didn't look at someone and
intentionally think something like "blue eyes," I will have no idea what
color their eyes are. I cannot pull up their photograph in my mind and see what
eye color they have. My memory is essentially spoken word.
I think this is why I don't like to read. The more descriptive
the writing, the less interest I have. If a writer spends three pages
describing a person's features, I'm not following along. I'm not creating a
picture of the person in my mind. I banking important details in case they
become plot important later, but I have no idea what that character looks like.
I usually assign real-life people to what I read. I cast actors to play
different roles. And all I see when I read a book is the words on the page.
I do slightly better listening to books because I can look
at other things. But, as I've learned is the case with many of my fellow
aphantasia people (aphantasiacs?) is that I would rather read non-fiction than
fiction. I'd rather sit with the Audubon Field Guide than the latest novel by
the hottest author.
I'd also rather write screenplays than novels. A screenwriter
has to only put in plot important details and leave room for other creative
people to inject their creativity into the project. It doesn't matter what kind
of car you put in your script, you can just say "car." Unless you
need the car to have some specific quality later, and then you can be more
specific.
I think this might also be why I'm good at my job. I watch
movies and write what I see. My imagination doesn't interject. I see what is
there. And I think this might be why I'm good at figuring out how things are
made/put together, how things work and how gears will turn. I also think this
is why I don't have many memories of my very young life. I remember seeing
photographs of places I've been better than remembering going to those places.
I know I've been to New Zealand, Australia, Turkey, Germany, England, etc., but
my "memories" are the stories my parents have told and the music we
listened to.
A few friends have said things like, "Why didn't you
tell me?" Well, I didn't know! And you couldn't tell! There is no decline
in my ability to learn. I was able to get my Master's Degree with honors. I
wasn't singled out. This isn't a disability in any way. It is just different
than what apparently most of the people in the world experience.
I'm fine. I just hate reading and have to look at reference
pictures to paint. I panic that I might not recognize people when I see them,
but I don't think I have a problem with that. My subconscious brain remembers
some things, even though it likes to keep them hidden from my conscious.
I might write more about this in the future, but for now,
thanks to Richard Herring to push in a puzzle piece of what it is to be me.
Saturday, May 28, 2022
University of North Texas (UNT) Advanced Film Production Films - 1997
Hopefully YouTube won't take these down. I've finally, after years, uploaded and posted the short films we made in the spring of 1997 in North Texas.
Here's the one I was in:
Here's the one I edited:
Here's the whole playlist:
UNT - Advanced Film Studies Playlist
Here's what I posted under the videos:
University of North Texas (UNT) Advanced Film Studies - 1997
This is one of several of the final student films produced by the UNT advanced film studies class in 1997. I don’t remember everyone involved. I’ve pulled names from the credits on each of the films and will assume these are the students from the class. If you would like to see the specific credit received, and additional cast/crew credits, please watch the credits on the individual short films. If you were in the class and your name is missing, let me know and I’ll add it. If you weren’t in the class and your name is here, congratulations! If your name is spelled wrong, it was probably wrong in the credits of at least one of the films, where I copied these names from.
UNT Advanced Film Studies Students:
Seale Adams
Steve Andrews
Heath Banks
Chris Blackledge
Melinda Buckley
Will Chen
Shane Clark
Tad Dennis (Thomas A. Dennis)
Brandon Dodd
Richard Doss
Jim
Driskell
Cindy Edgemon
Elisa Farrell
Deedee Freeman
Matt Hirsch
Ben Hogan
Norma Inocencio
Jeremy
Jimenez
Katherine “Katy” Kirby
Diane Lowe
Jariya “Jun” Manoonkulchai
Heather Matson
Keith Miller
Clay Mills
Mike Moe
J. Michael Owen
Fernando
Perez Del Rio
Heidi
Quintero
Dan Riddle
Paul
Salinas
Kristi
Sandoval
Joe Scott
Chris Switzer
Camille Sharon Thien
Nathaniel Torson
Devrin Usta
Jeff Valeri
Matt Walters
Chris Weatherly
LouAnn Wu
Jack Young
I can’t recall, but I assume these films were all shot on 16mm silent film. The audio was recorded to mag and the editors had to work with reels of synced film and mag stock. This transfer was completely out of sync, so I’ve done what I can without making myself crazy to adjust the sync before uploading. The way these films were made is much more expensive, time consuming and difficult than making the equivalent films would be today with digital recording and editing options.
All of these were shot in and around Denton, Texas, near the University of North Texas, in 1997. I think this was a spring semester class only, because I actually graduated in 1996 but stayed at school after graduating so I could participate in this class.
My VHS copy - which I don’t think I’d ever played prior to this conversion - has suffered from age. The films which were later in the tape look better than the ones which were early on the tape. The quality, therefore, varies from one film to the next just because of the VHS. If you were part of this group and have a better copy, please let me know! I had lunch with a couple of the guys from class and they prompted me to upload these films since they couldn’t locate them. I’d be happy to share a better version, if it exits.
Also, to the people who made these films, please drop a comment or find me on other social medias! I’d love to hear what you’ve been up to.
Don’t forget to like this video and to subscribe to my channel. It may not seem like a very big thing to you, but it is the most important thing you can do to show support for people who create videos on YouTube.
While you’re here, you can also:
Read my blog: www.CamilleSharon.com
Buy my novel:
https://www.lulu.com/en/us/shop/camille-sharon-and-a-r-meyering/elixir/paperback/product-6jmjkw.html?page=1&pageSize=4
Follow my not-very-active Twitter: @CamilleSharon
Friday, April 29, 2022
Perfume Ranking - House of Sillage Whispers in the Garden Noir
P.S. They will never send me free products to review at this rate. But I figure an honest review is more important than a pandering one.
Monday, April 18, 2022
House of Sillage - Whispers in the Garden Ranking
That's the video. I did two rankings on each fragrance, first on paper and then on my skin. I'll post the ranking below as skin/paper, because I ultimately ordered them in the skin order. If you don't want to watch it, here's a rundown of what it says:
In last place, 7/7: Whispers of Strength. This is the perfume in the purple bottle. It is a white floral and isn't for me mainly because it has tuberose in it, which smells rotten on my skin. Very sweet and floral.
6/5: Whispers of Innocence. This perfume comes in a white bottle. This is another white floral and even though it doesn't have gardenia in it, the overall effect is gardenia to me. It is very strong and really makes a statement. That statement is, "I'm wearing perfume!!!!" If that's the statement you want to make, then this is a good choice for you.
5/6: Whispers of Truth. This perfume comes in an opaque white bottle with multi-colored crystals on the cap. It is the most expensive perfume in the line. At $495/bottle, you might not be surprised when I tell you I bought the travel version, which is much less expensive. The overall scent is very powdery to me. It has a sweet/bitter scent which competes for your attention.
4/3: Whispers of Enlightenment. This perfume comes in a peach bottle. It has a clean scent and is much more fruity than the others in this collection, which tend to be more floral. I think it might not have had a lot of staying power on my skin.
3/1: Whispers of Guidance. This perfume comes in a green bottle. It has something called "green notes" in it and even though I liked this one on paper the best, when I put it on, it smelled like tomato plants on me. I'm not sure if I would ever want to smell like a tomato plant or not. It was clean and green, but just not an ideal match for me.
2/4: Whispers of Time. This perfume comes in a blue bottle. I wonder if the color of the bottle influenced how much I liked this one. I really wanted it to be the best one, because the bottle is blue. It has ginger in it and that's the main thing I could detect. On paper, the ginger was sharp. On skin, it was softer.
1/2: Whispers of Admiration. This perfume comes in a pink bottle. It is sugary and reminds me of cotton candy. So again, not very floral, but I liked it the best. I didn't buy a full bottle only because it seems to either be sold out or never on sale. To me, that means it is the favorite one by everyone. Why put it on sale when they can't even keep it in stock? I only have a travel size of it because I'm not going to spend full price on any of these bottles without there being an amazing gift with purchase on offer.
There you go. The bottles are very pretty. I didn't hate any of these perfumes and ranking them was a little bit difficult because none of them were really horrible.
Whispers in the Garden Noir collection ranking is coming soon...
Friday, April 8, 2022
I Watched Three Versions of Death on the Nile so You Don't Have to!
I’m going to do some comparisons between the three different
adaptations of Death on the Nile. I will assume you’ve seen at least one or
read the book, otherwise this is meaningless and spoiler alter - filled with
spoilers.
|
Characters and
key plot: |
1978 Version |
2004 Version |
2022 Version |
|
Hercule
Poirot |
Peter Ustinov
|
David Suchet |
Kenneth
Branagh |
|
Colonel Race |
David Niven |
James Fox |
Omitted |
|
Linnet Doyle
née Ridgeway |
Lois Chiles |
Emily Blunt,
playing American |
Gal Gadot, no
longer American |
|
Jacqueline de
Bellefort |
Mia Farrow |
Emma
Griffiths Malin |
Emma Mackey,
no longer American |
|
Simon Doyle |
Simon
MacCorkindale |
JJ Feild |
Armie Hammer,
playing English |
|
Linnet's maid
Louise Bourget |
Jane Birkin |
Félicité Du
Jeu |
Rose Leslie |
|
trustee
Andrew Pennington |
George
Kennedy |
David Soul |
Ali Fazal
swapped in as Andrew Katchadourian |
|
Salome
Otterbourne, romance novelist |
Angela
Lansbury |
Frances de la
Tour |
Sophie
Okonedo, now an American jazz singer |
|
Rosalie,
Salome’s daughter |
Olivia Hussey,
becomes engaged to Mr. Ferguson |
Zoe Telford, propositions
Tim, but he is a homosexual and turns her down |
Letitia
Wright, Salome’s daughter and business manager, in a secret relationship with
Bouc |
|
Tim Allerton |
Omitted, so
the pearls are not counterfeited |
Daniel
Lapaine |
Tom Bateman
swapped in as Bouc, he steals the necklace and hides it in Euphemia’s luggage
where it is found |
|
Tim’s Mother |
Omitted |
Barbara Flynn
|
Annette
Bening swapped in as Euphemia |
|
Marie Van Schuyler, socialite kleptomaniac |
Bette Davis,
steals and returns the pearls |
Judy Parfitt,
steals the fake pearls and Cornelia returns them (I think - I’ve forgotten already)
|
Jennifer
Saunders, no longer a socialite or kleptomaniac, now a closeted lesbian with
her “nurse.” |
|
Cornelia
Robson, cousin of Marie |
Omitted |
Daisy Donovan,
agrees to marry Dr. Bressner after turning down Mr. Ferguson |
Omitted |
|
Miss Bowers,
nurse to Marie |
Maggie Smith |
Omitted |
Dawn French, closeted
lesbian companion of Marie. |
|
Mr. Ferguson,
communist, witnesses first shot |
Jon Finch |
Alastair
Mackenzie |
Combined with
below. |
|
Dr. Bessner,
Austrian |
Jack Warden |
Steve
Pemberton |
Russell Brand
swapped in to replace Dr. Bessner and Mr. Ferguson as Linus Windlesham |
|
Guido
Richetti, archeologist |
Omitted |
Omitted |
Omitted |
|
Jim Fanthorp,
lawyer/solicitor |
Omitted |
Omitted |
Omitted |
|
|
|
|
Susannah
Fielding, Poirot’s former fiancée, not a character from the source material |
|
|
|
|
|
|
|
|
|
|
|
1st
murder victim |
Linnet |
Linnet |
Linnet |
|
2nd
murder victim |
Louise |
Louise |
Louise |
|
3rd
murder victim |
Salome |
Salome |
Bouc* New
character in this version. |
|
4th
murder victim |
Simon |
Simon |
Simon |
|
5th
body |
Jacqueline |
Jacqueline |
Jacqueline |
|
|
|
|
|
|
Pearl
Necklace |
Still pearls,
stolen by Marie |
Still pearls,
stolen by Marie, counterfeited by Tim |
Changed to
diamond necklace |
|
Nail Polish
Bottle |
Filled with
unexplained paint |
Filled with
unexplained paint |
Filled with
red paint from new character Euphemia’s paint supplies. |
This proves what? Nothing. Just noting the differences to
keep track of them. One difference in the 2022 movie which I think was a
problem was Linnet saying she rented out the entire riverboat for her guests.
All of the characters, including Poirot, are on the cruise by Linnet’s invitation
and yet Jacqueline still manages to get a room despite Linnet renting the whole
boat. Doesn’t make sense. And why change it? It was fine that Poirot just
happened to book himself onto the cruise. And that the other people had some
connection with Linnet. She was rich and owned a lot of properties or companies
or something. Everyone didn’t need to be on the boat at her request.
I also didn’t think the changing of Salome and Rosalie’s
characters in the 2022 version worked. Salome was such a great character in the
other 2 versions that the changes just didn’t work in 2022.
2022 wide shots of the Nile looked like CGI and did nothing
to entice me to want to visit Egypt. 1978’s shots of the Nile and Egypt were better.
Which is good because it was filmed on location.
Anyway, what are my thoughts? 1978 was the best as a movie.
2004 seems most faithful to the book and is the shortest one, so that’s a
bonus. 2022 was embarrassing and cringe in so many ways. Just search on YouTube
for the opening dances between Simon and Jacqueline and Simon and Linnet and
see if it doesn’t make you incredibly uncomfortable.